Preprint / Version 1

The Musical Artist’s Objective: Signed to no one, heard by everyone

##article.authors##

  • Angelina Parrino Polygence

DOI:

https://doi.org/10.58445/rars.3324

Keywords:

Independent artists, Music industry, Intellectual property (IP) protection

Abstract

In today’s music industry, independent artists have more opportunities than ever, but they also face big challenges. Record deals often require artists to give up ownership in exchange for marketing and exposure, and traditional streaming platforms take significant cuts of artists' earnings. Therefore, artists need to take smart steps to protect their creative rights and maintain control over their financial well-being. This paper explores the importance of IP protection, the best platforms for independent music distribution, and how artists can maximize revenue through direct-to-fan engagement and emerging technologies. Artists can leverage blockchain technology and smart contracts to ensure transparent revenue sharing, maintain control of their IP ownership, and break away from relying on labels and take a more independent route. Choosing the right distributor is crucial to ensure artists get high engagement with their music and make sure you’re receiving a fair percentage of your royalties. Now, thanks to digital platforms, artists can share their music worldwide and keep their rights. Services like DistroKid, TuneCore, CD Baby, and Amuse help artists put their songs on Spotify, Apple Music, and Tidal while letting them collect royalties directly. The paper concludes that there is not one specific way to achieve success, but rather it is important to use multiple techniques: retaining ownership, leveraging technology, and engaging fans directly, which ensures that artists will not be taken advantage of and are able to build a musical foundation and identity.

References

Works Cited

Akshay Bhanawat. "Success Stories: 7 Top Artists That Started Their Career In SoundCloud." themusicessentials, themusicessentials.com/editorials/soundcloud-success-stories/. Accessed 6 June 2025.

Ann Herman. "YOU BELONG WITH ME: RECORDING ARTISTS' FIGHT FOR OWNERSHIP OF THEIR MASTERS." Northwestern Journal of Technology and Intellectual Property, vol. 18, no. 2, 2021. Scholarly Commons at Northwestern Pritzker School of Law, scholarlycommons.law.northwestern.edu/njtip/vol18/iss2/4/.

Bass, Matt. RIAA MID-YEAR 2024 RECORDED MUSIC REVENUE REPORT. www.riaa.com/wp-content/uploads/2024/08/RIAA-Mid-Year-2024-Revenue-Report.pdf.

"Behind the Beats Episode 15: Featuring RAC." Audius, blog.audius.co/podcast/rac. Accessed 6 June 2025.

Bojana Radovanović Šuput. "TikTok and Sound: Changing the ways of Creating, Promoting, Distributing and Listening to Music." ResearchGate, www.researchgate.net/publication/366381621_TikTok_and_Sound_Changing_the_ways_of_Creating_Promoting_Distributing_and_Listening_to_Music. Accessed 6 June 2025.

BRYAN LESSER. Record Labels Shot the Artists, But They Did Not Share the Equity. Vol. 16.

"Copyright education Copyright protection and duration." RightsDirect - A Copyright Clearance Center Subsidiary, www.rightsdirect.com/copyright-education-international-copyright-guide/copyright-protection-and-duration/. Accessed 6 June 2025.

Daniel Tencer. "Audius strikes global licensing deal with Kobalt." Music Business Worldwide, www.musicbusinessworldwide.com/audius-strikes-global-licensing-deal-with-kobalt/. Accessed 6 June 2025.

"Gloria Gaynor sues music producer for alleged copyright infringement, breach of contract." Music Business Worldwide, www.musicbusinessworldwide.com/gloria-gaynor-sues-music-producer-for-copyright-infringement-breach-of-contract1/. Accessed 6 June 2025.

Dean Balsamini. "'I Will Survive' singer Gloria Gaynor sues ex-producer for $2 million." New York Post, nypost.com/2024/08/10/us-news/i-will-survive-diva-gloria-gaynor-sues-ex-producer-for-2m/. Accessed 6 June 2025.

"Digital Commons @ CSUMB." Cal State Monterey Bay, digitalcommons.csumb.edu/caps_thes_all/. Accessed 6 June 2025.

Eamonn Forde. "Chance The Rapper is the world's first truly independent artist." The Guardian, www.theguardian.com/music/2016/may/19/chance-the-rapper-album-coloring-book-mixtape-billboard-charts-stream-music. Accessed 6 June 2025.

Editorial Staff. "Top 10 Music Creators on Audius." Neoreach, neoreach.com/music-creators-on-audius/. Accessed 6 June 2025.

Hua Hsu. "Is There Any Escape from the Spotify Syndrome?" The New Yorker, www.newyorker.com/magazine/2024/12/30/mood-machine-liz-pelly-book-review. Accessed 6 June 2025.

Jari Salo, et al. "The Use of Social Media for Artist Marketing: Music Industry Perspectives and Consumer Motivations." The International Journal on Media Management, nos. 2-3, 2013.

Jess Weatherbed. "AI music startups say copyright violation is just rock and roll." The Verge, www.theverge.com/2024/8/2/24211842/ai-music-riaa-copyright-lawsuit-suno-udio-fair-use. Accessed 6 June 2025.

Justin Tilghman. "Exposing the 'Folklore' of Re-recording Clauses (Taylor's Version)." School of Law University of Georgia, digitalcommons.law.uga.edu/jipl/vol29/iss2/6/. Accessed 6 June 2025.

Kathryn Barber. "Taylor Swift's Bad Blood with Big Machine Records and Her Legal Battle to Own her Masters." Journal of High Technology Law at Suffolk University Law School, sites.suffolk.edu/jhtl/2021/10/12/taylor-swifts-bad-blood-with-big-machine-records-and-her-legal-battle-to-own-her-masters/. Accessed 6 June 2025.

"Navigate YOUR Musical Journey." xposuremusic, info.xposuremusic.com/. Accessed 6 June 2025.

"'Net Profit Deals' Between Artists and Labels." Bart Day Law, bartdaylaw.com/net_profit_deals/. Accessed 6 June 2025.

"RAC: Now Selling Music On Audius!" Audius, blog.audius.co/article/rac-now-selling-music-on-audius. Accessed 6 June 2025.

Rama A. Dechsakda. "The Effects of Digital Music Distribution." Southern Illinois University Carbondale OpenSIUC, opensiuc.lib.siu.edu/cgi/viewcontent.cgi?article=1269&context=gs_rp. Accessed 6 June 2025.

Roger Beardsley, and Daniel Leech-Wilkinson. "A Brief History of Recording to ca. 1950." CHARM, charm.rhul.ac.uk/history/p20_4_1.html. Accessed 6 June 2025.

Savan Dhameliya. "Record Labels sue AI Platforms making Music: Universal, Sony, Warner v/s Suno, Udio." IPRMENTLAW, iprmentlaw.com/2024/07/13/record-labels-sue-ai-platforms-making-music-udio-v-universal-sony-warner/. Accessed 6 June 2025.

"Spotify and Universal Music Group Announce Global, Multi-Year License Agreement." Universal Music Group, www.universalmusic.com/spotify-and-universal-music-group-announce-global-multi-year-license-agreement-2/. Accessed 6 June 2025.

United States, Congress, House. H.R.7913 - Generative AI Copyright Disclosure Act of 2024. Government Publishing Office, 9 Apr. 2024. House Bill H.R.7913.

United states. Copyright Law OF THE United States and Related Laws Contained in Title 17 of the United States Code.

United States, Ninth Circuit Court (9th Cir.). A&M Records, Inc v. Napster, Inc. Federal Reporter, vol. F.3d, 12 Feb. 2001.

Vladimir Kruglyak. The Functionality of a Contract in The Music Industry: Exploring Options for Entertainer's Success. 24 June 2020, papers.ssrn.com/sol3/papers.cfm?abstract_id=3616481.

"What is Audius? (AUDIO)." Bitstamp Learn by Robinhood, www.bitstamp.net/learn/cryptocurrency-guide/what-is-audius-audio/. Accessed 6 June 2025.

William Henslee. "What's Wrong with U.S.?: Why the United States Should Have a Public Performance Right for Sound Recordings." Vanderbilt Journal of Entertainment & Technology Law, scholarship.law.vanderbilt.edu/jetlaw/vol13/iss4/2/.

Downloads

Posted

2025-10-26

Categories